Busan International Film Festival (BIFF for short) is the largest Asian film festival – and among the most prominent film festivals in the whole of Asia – that is held annually in the second largest South Korean city of Busan. The year 2016 marks already the 21st edition of the festival, even though its future has been in the past few years marred by uncertainty, caused by the ongoing controversy that has already grievously affected the festival.

But let’s start at the beginning: BIFF’s first edition took place in September 1996; it was also the first South Korean international film festival ever held. From its very beginning, BIFF has had a handful of very important objectives: introducing new filmmakers and their productions, with a focus on those from Asian countries; to find ways to attract young people, both as viewers and as filmmakers – and to both promote and develop the artistic abilities of the latter. For 20 years, these objectives helped the festival grow until it entered its permanent home, worthy of its reputation – the newly built Busan Cinema Centre in Busan’s Centum City, with its huge roofed outdoor auditorium (4000 seats) and abundant office/conference/studio/theater space, the whole Center space amounting to staggering 30,000 m².

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At 1st BIFF, 173 films from 31 countries were screened; at the last year’s 20th BIFF, 302 films from 75 different countries. There are 11 official sections that compose the programme; GALA PRESENTATION that presents the domestic and international, masterful, most-talked-about film productions; A WINDOW ON ASIAN CINEMA that includes film productions by various stand-out Asian filmmakers, old and new; NEW CURRENTS that present films by promising new filmmakers; KOREAN CINEMA TODAY and KOREAN CINEMA RETROSPECTIVE that put focus on new and classic Korean films; WORLD CINEMA; WIDE ANGLE that showcases outstanding animated films, documentaries and short films; OPEN CINEMA with outdoor screenings of popular films; FLASH FORWARD that presents the works of promising non-Asian newbie filmmakers; MIDNIGHT PASSION with its late night screenings of popular films from different genres, and SPECIAL PROGRAMS IN FOCUS that showcases the works of select filmmakers.

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Besides its official programme, BIFF is accompanied by a variety of events, such as Asian Film Market that presents an excellent opportunity for all involved – from film producers to film director to screenwriters, to potential investors. Asian Cinema Fund works to enable more independent filmmakers to do their work in an organized manner and environment – while it also doubles as a network which connects filmmakers from all over Asia. Asian Film Academy provides formal educational programme for all prospective filmmakers, and Busan Cinema Forum brings together already accomplished film academics for discussions on all current and future issues of global cinema.

This year’s BIFF starts tomorrow, on October 6th 2016, and will close on October 15th. Two of our team, Maggie Gogler and Sanja Struna, are currently in Busan, getting ready for full-on coverage of the festival (that was luckily not blown away but last night’s typhoon, unlike one of BIFF’s main locations, the BIFF Haeundae Village, which was broken into smithereens by the winds and the waves). Stay tuned for our reviews and updates!

Written by Sanja Struna

All photos © their photographers.

The article was originally published on October 5, 2016 on http://www.viewofthearts.com

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About viewofkoreancinema

Maggie Gogler is a freelance film producer, production manager and she also works with children. She has a passion for Korean and World Cinema as well as music and arts. Maggie has been interested in cinema since she was 15 and discovered love for Korean films in 2004 when she saw Kim Ki Duk’s The Isle. She supports British and Asian independent film-making and enjoys producing creative and interesting projects. Maggie is the co-founder of View of the Arts and its sister website View of Korean Cinema. Sanja Struna is a freelance translator, occasional writer and a perpetual dreamer. Film is her first and longest-lasting love; since writing is her second, she saw the light a couple of years ago, let the two join hands and entered the field of film journalism. She has honed her knowledge through various film festivals which she either worked for or frequented. She is currently harboring a fascination with all things Korean and condones losing sleep if that means she can watch a good Korean film or drama. Sanja is the editor of View of the Arts and co-founder of View of Korean Cinema.

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