Ma Dong-seok is unstoppable. In 2018, the actor starred in a record-breaking five films: Champion, Along With The Gods: The Last 49 Days, The Soul-Mate, The Villagers and Unstoppable, and it seems that he is keeping himself just as busy in 2019. His final work of 2018, the action thriller Unstoppable, directed by Kim Min-hoscreened in the competitive section of this year’s Udine Far East Film Festival.

Image result for unstoppable korean film stills

Photo © Showbox 

Dong-chul (Ma Dong-seok) works at a fish market; he dreams that one day, he’ll be able to afford a place of his own. He is married to Ji-soo (Song Ji-hyo), a warm-hearted woman, who one day gets kidnapped by Ki-tae (Kim Sung-oh) and his gang for the simple reason of drawing his attention when the couple’ and the criminal’s cars had a minor fender bender. Dong-chul receives a bag full of money in exchange for his wife, which he quickly takes to the police, but unfortunately, no one takes the man seriously. The distraught protagonist decides to take the law into his hands and save his loved one with the help from his good friend Chun-shik (Park Ji-hwan) and private eye Kwon (Kim Min-jae). The ‘three musketeers’ find themselves going up a proper gang of villains when it turns out that Ki-tae leads an organisation that deals in human trafficking.

Image result for unstoppable korean film stills

Photo © Showbox 

At first, it seems to be an uneven fight, but Dong-chul is not just a desperate husband trying to find his kidnapped wife; he is a retired gangster who packs a mean punch. In the role of an ex-ganster, Ma Dong-seok, who has a reputation of a powerhouse actor,  tries to offer his best, but ends up with a monotonous performance. Kim Sung-oh once again portrays a villain; his witty, yet grim portrayal of Ki-tae is the only thing that works in the messy flow of the story-line. Song Ji-hyo’s filmography is not as strong as her variety show career, and her performance in this film is dim.

Unstoppable does not offer much, except for a few entertaining action scenes. The film itself has a slow build-up without much excitement. The thrilling experiences the trio of the ‘good guys’ have on their way to the traffickers’ hideout, where Ji-soo and other kidnapped women are being held, do not provide for an epic finale. A lack of a decent fight between the good and the bad guys, with only a car chase with some banal kicking and punching the villain around there at the end, where he falls like a mollusc onto the floor, turns out to be without any proper depth or seriousness.

Image result for unstoppable korean film stills

Photo © Showbox 

Unstoppable is easy to ‘absorb’, and despite being advertised as a tenacious action thriller, it turned out to be a weak production with a paper-thin narrative. One generally finds pleasure in watching action films even if they are a bit cliché, but have an engaging plot, but Kim Min-ho’s new work falls short in that respect.

Rating: Image result for 2.5 stars

Written by Maggie Gogler

Edited by Sanja Struna

Featured photo © Pan Media & Entertainment – © WELL GO USA ENTERTAINMENT




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About viewofkoreancinema

Maggie Gogler is a freelance film producer, production manager and she also works with children. She has a passion for Korean and World Cinema as well as music and arts. Maggie has been interested in cinema since she was 15 and discovered love for Korean films in 2004 when she saw Kim Ki Duk’s The Isle. She supports British and Asian independent film-making and enjoys producing creative and interesting projects. Maggie is the co-founder of View of the Arts and its sister website View of Korean Cinema. Sanja Struna is a freelance translator, occasional writer and a perpetual dreamer. Film is her first and longest-lasting love; since writing is her second, she saw the light a couple of years ago, let the two join hands and entered the field of film journalism. She has honed her knowledge through various film festivals which she either worked for or frequented. She is currently harboring a fascination with all things Korean and condones losing sleep if that means she can watch a good Korean film or drama. Sanja is the editor of View of the Arts and co-founder of View of Korean Cinema.


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