For the past few years, South Korea has been overflown with its own zombie-themed films and TV shows whose format ranges from classic horror to period dramas and even comedies, with various levels of quality. The recently released Netflix’s Kingdom, with its perfect narrative and direction, now ranks among the best Korean products of the genre, raising the bar even higher for all future productions. However, just before the January 2019 release of Kingdom, another film with a similar premise tried to succeed with its fictional period zombie action: Rampant, directed by Kim Sung-hoon and written by Hwang Jo-yoon.

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Photo © Next Entertainment World

In the Joseon Dynasty era, King Lee Jo (Kim Eui-sung: Steel Rain, Extreme Job) rules the Korean Peninsula. With the country’s territory surrounded by the Qing Empire, the king is becoming increasingly more paranoid about losing his throne to the enemy. He does not realise that his chief enemy are not the Chinese, but a person within the reach of his hand; the Minister of Military Affairs Kim Ja-jun (Yang Dong-gun: Seven Years of Night) is planning to overthrow him. In the meantime, the king’s younger son Lee Chung (Hyun Bin: Secret GardenConfidential Assignment), who was in China by his father’s orders, returns to Korea after he learns that his older brother, Crown Prince Lee Young ( Kim Tae-woo: Joint Security Area), committed suicide as he refused to submit to the Qing Empire. Lee Young’s dying wish was for Lee Chung to escort his pregnant wife to safety. On the way to the palace, Lee Chung faces the Night Demons (a smart name for zombies), and despite his easy-going manner, he proves to be an exquisite warrior and a capable swordsman. During the fight, he comes across a group of rebels who sympathised with his late brother. They try to persuade him to save the people from the scourge of zombies and to take the power in the country into his own hands…

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Photo © Next Entertainment World

Kim Sung-hun and Hyun Bin worked together previously on Confidential Assignment, an action thriller that impressed many with its well-executed narrative. This is not the case with Rampant; one gets an impression that the filmmaker tried too hard to bring all of the elements together. Coup attempt stories, set in this era, are turning into somewhat of a standard of Korean cinema; as if during Joseon Dynasty, people did little else. At this stage, the topic is neither particularly imaginative nor profound, even if the fight for the power in Rampant received the added weight in zombies.

In technical terms, Rampant’s action scenes are really exciting, especially when the long-robed Hyun Bin deftly swings his sword. Even so, in terms of characters, Jang Dong-gun probably had more fun portraying a charismatic villain, even though this is not one of his most memorable roles. Jo Woo-jin as a resistance fighter is a sympathetic character, but sadly offers little substance.

Chang-gwol (2018)

Photo © Next Entertainment World

Right from the beginning of the film, Rampant‘s visual work is done perfectly. The background, the locations, the costumes, the zombies’ make-up and the choreography of the martial arts’ scenes are all flawless. The undead are entertaining and enthralling, but they do not leave a long-lasting impression. For a period action zombie production, Kim Sung-hoon failed to dedicate enough to the dramatic side of the film and provided too little zombies for the sake of entertainment. Rampant is a time-filler that works with half-measures; it will certainly trigger polarised emotions, but it offers little when it comes to the narrative itself.

Rating: b3cd6-2.52bstars

Written by Maggie Gogler

Edited by Sanja Struna

Featured photo © Photo by Pan Media & Entertainment – © WELL GO USA ENTERTAINMENT

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About viewofkoreancinema

Maggie Gogler is a freelance film producer, production manager and she also works with children. She has a passion for Korean and World Cinema as well as music and arts. Maggie has been interested in cinema since she was 15 and discovered love for Korean films in 2004 when she saw Kim Ki Duk’s The Isle. She supports British and Asian independent film-making and enjoys producing creative and interesting projects. Maggie is the co-founder of View of the Arts and its sister website View of Korean Cinema. Sanja Struna is a freelance translator, occasional writer and a perpetual dreamer. Film is her first and longest-lasting love; since writing is her second, she saw the light a couple of years ago, let the two join hands and entered the field of film journalism. She has honed her knowledge through various film festivals which she either worked for or frequented. She is currently harboring a fascination with all things Korean and condones losing sleep if that means she can watch a good Korean film or drama. Sanja is the editor of View of the Arts and co-founder of View of Korean Cinema.


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